The Best Sony A6400 Lenses in 2024

In this short guide we recommend twelve of the best lenses to buy for the Sony A6400 mirrorless camera in 2024.

To view all of the Sony E-mount lenses available please visit our Complete List of Sony E-mount Lenses where you can also find the latest firmware version for each lens.

Compatible Lenses

The Sony A6400 has an APS-C sized sensor and features Sony’s E-mount that is compatible with both Sony APS-C and Full-Frame E-mount lenses.

Many third-party manufacturers search as Sigma and Tamron also make e-mount lenses. Lenses that use different mounts such as the Canon EF / EF-S mount other can also be used providing you use an appropriate lens adapter.

Native Sony E-mount lenses will always offer the best autofocus performance when compared to adapted lenses therefore we wouldn’t recommend an adapted lens if you enjoy shooing fast action sports of birds in flight.

Top 12 Lens Recommendations

To help make your life a little easier we have summarized 12 of the best lenses available today for the A6400 from both Sony and third-parties.

If you want to see every single E-mount lens available, then please visit our Complete Sony E-Mount Lenses List which also includes the latest firmware updates for each lens.

1. Sony E 10-20mm F4 PZ G

If you’re in the market for the smallest, lightest ultra-wide APS-C power zoom lens with a maximum aperture of F4, the Sony E 10-20mm F4 PZ G is an excellent option.

This lens is well-built, weather-sealed, and delivers outstanding image quality for both still photography and videography.

With a versatile 10-20mm focal length, power zoom, and breathing compensation support, it’s also an ideal choice for vloggers.

Two linear focus motors ensure fast, quiet, and accurate autofocus, while the power zoom control allows for seamless zoom operation.

As an internal zoom lens, it doesn’t change length while zooming, making it perfect for use with gimbals.

Unfortunately the lens lacks built-in stabilization but if you are using a gimbal then this won’t be an issue for you.

Focus breathing is supported when used with compatible cameras, unfortunately the A6400 is missing this feature.

Measuring just 55mm in length and weighing only 178 grams (2-1/4 inches, 6.3 oz.), you’ll hardly notice this lens attached to your Sony A6400.

Key Specs

Model Name:	SELP1020G
Format:	APS-C
Focal Length (mm):	10-20
Angle of View (APS-C):	109°-70°
Maximum Aperture:	F4
Minimum Aperture:	F22
Lens Groups / Elements:	8/11
Aperture Blades:	7 circular
Minimum Focusing Distance:	0.20 m (AF), Wide: 0.13 m / Tele: 0.17 m (MF) ((0.66 ft (AF), Wide: 0.43ft / Tele: 0.56 ft (MF))
Maximum Magnification Ratio:	0.14(AF),0.18(MF)
Lens Image Stabilization:	No.
Focus Breathing Support:	Yes
Filter Diameter:	62 mm
Diameter:	2-3/4 in. / 69.8 mm
Length:	2-1/4 in. / 55.0 mm
Weight:	6.3 oz. / 178 g

Pros

• Very nice build quality
• Compact and weather sealed
• Useful PowerZoom function
• Fast and quiet linear focus motors
• Minimal focus breathing
• Excellent sharpness and contrast
• Good flare resistance
• Lovely bokeh
• Good control of chromatic aberrations

Cons

• No image stabilization
• Barrel distortion at 10mm

What’s in the Box

• Sony E 10-20mm F4 PZ G
• Hood (model): ALC-SH169
• Lens front cap: ALC-F62S
• Lens rear cap: ALC-R1EM
• Case

Review

If you’d like to learn more about the Sony E 10-20mm F4 PZ G lens, we would recommend watching this review from Christopher Frost.

2. Sigma 10-18mm F2.8 DC DN

The Sigma 10-18mm F2.8 DC DN is the smallest and lightest F2.8 zoom lens for APS-C cameras, clearly designed to compete with Sony’s E 10-20mm f/4 PZ G lens.

Constructed with 13 elements in 10 groups, this lens includes three fluorite-like FLD elements, one super-low dispersion element, and four aspheric lenses.

It features an internal focus design driven by a fast and quiet stepper motor. The minimum focusing distance is 11.6cm (4.6″), and it offers a maximum magnification ratio of 1:4.

While the lens does extend slightly as you zoom out, the impact on handling is minimal.

Focus breathing is minimal, making it well-suited for video work as well as landscape and travel photography.

The lens is exceptionally sharp across the frame and zoom range, even at its maximum aperture of F2.8.

Some barrel distortion and vignetting are noticeable at 10mm / F2.8 with camera corrections turned off, and there is some pincushion distortion and vignetting at 18mm / F2.8.

The lens measures 72.2mm × 64.0mm (2.8in. × 2.5in.) for the Sony E-mount and weighs 255g (9.0oz).

Key Specs

Model Name:	C023
Format:	APS-C
Focal Length (mm):	10-18
Angle of View (APS-C):	109.7°-76.5°
Maximum Aperture:	F2.8
Minimum Aperture:	F22
Lens Groups / Elements:	10/13
Aperture Blades:	7
Minimum Focusing Distance:	11.6 (W) -19.1 (T) cm / 4.6 (W) -7.6 (T)
Maximum Magnification Ratio:	1:4 (W) – 1:6.9 (T)
Lens Image Stabilization:	No
Focus Breathing Support:	No (but focus breathing is minimal)
Filter Diameter:	67 mm
Diameter:	2.8 in. / 72.2 mm
Length:	2.5 in. / 64 mm
Weight:	9.0 oz. / 255 g

Pros

• Fast F2.8 maximum aperture
• Small, light and well built
• Reasonably priced
• Dust and splash resistant
• Fast, quiet and accurate autofocus
• Very sharp throughout the focal length even at F2.8
• Glare well controlled
• Coma and chromatic aberrations well controlled

Cons

• Barrel distortion and vignetting at 10mm / F2.8 with camera corrections turned off
• Some pincushion distortion and vignetting at 18mm / F2.8 with camera corrections turned off

What’s in the Box

• Sigma 10-18mm F2.8 DC DN lens
• Lens hood: LH706-02
• Front cap: LCF-67mm Ⅲ
• Rear cap: LCR Ⅱ

Review

To learn more about the Sigma 10-18mm F2.8 DC DN lens I’d recommend watching this review from Gordon Laing.

3. Sigma 16mm F1.4 DC DN Contemporary

The Sigma 16mm F1.4 DC DN Contemporary is part of a trio of Sigma lenses that offer excellent image quality at a very reasonable price.

With its fast F1.4 maximum aperture, this lens lets in plenty of light, making it perfect for low light shooting conditions.

Although it lacks built-in stabilization the fast f/1.4 aperture means you will be able to shoot at faster shutter speeds to help freeze the action.

The lens boasts very good sharpness at f/1.4 and exceptional sharpness and contrast from f/2 onward, making it one of the sharpest 16mm lenses available for the price.

Key Specs

Model Name:	C017
Format:	APS-C
Focal Length (mm):	16
Angle of View (APS-C):	83.2°
Maximum Aperture:	F1.4
Minimum Aperture:	F16
Lens Groups / Elements:	13/16
Aperture Blades:	9 circular
Minimum Focusing Distance:	25cm / 9.8in.
Maximum Magnification Ratio:	1:9.9
Lens Image Stabilization:	No
Focus Breathing Support:	No
Filter Diameter:	67 mm
Diameter:	2.8 in. / 72.2 mm
Length:	3.6 in. / 92.3 mm
Weight:	14.3 oz. / 405 g

Pros

• Well built and weather sealed
• Quick, quiet, and accurate autofocus
• Very good sharpness at f/1.4, exceptional sharpness and contrast from f/2
• Good flare resistance
• Well priced

Cons

• A little chromatic aberration at f/1.4
• Coma performance not the best
• Minor distortion remains after correction

What’s in the Box

• Sigma 16mm F1.4 DC DN Contemporary lens
• Lens hood: LH716-01
• Front cap: LCF-67mm III
• Rear cap: LCR II

Review

To learn more about the Sigma 16mm F1.4 DC DN Contemporary lens would recommend watching this review from Arthur R.

4. Sony E 16-55mm F2.8 G

If you need a bit more focal length but still want a fast aperture, the Sony E 16-55mm F2.8 G lens is worth considering.

This lens delivers excellent corner-to-corner sharpness and beautiful bokeh, thanks to its 9-blade circular aperture. It is compact, lightweight, and versatile, making it perfect for a wide range of subjects.

Equipped with an XD Linear Motor, also found in the more expensive GM lenses, it focuses on and tracks fast-moving subjects with outstanding speed, precision, and quietness.

The lens body features a customizable focus hold button, an AF/MF mode switch, and a Linear Response manual focus ring.

The front lens element is fluorine-coated to repel water and grime, and the lens is dust and moisture resistant.

Key Specs

Model Name:	SEL1655G
Format:	APS-C
Focal Length (mm):	16-55
Angle of View (APS-C):	83°-29°
Maximum Aperture:	F2.8
Minimum Aperture:	F22
Lens Groups / Elements:	12/17
Aperture Blades:	9 circular
Minimum Focusing Distance:	1.09 ft (0.33 m)
Maximum Magnification Ratio:	0.2x
Lens Image Stabilization:	No
Focus Breathing Support:	No
Filter Diameter:	67 mm
Diameter:	2 7/8 in. / 73 mm
Length:	4 in. / 100 mm
Weight:	17.5 oz / 494 g

Pros

• Well built and compact zoom lens
• Weather sealed
• Quick, accurate and quiet autofocus XD linear focus motor
• Excellent image quality with auto corrections enabled

Cons

• Relies on lens profile corrections to remove distortion
• Quite expensive

What’s in the Box

• Sony E 16-55mm F2.8 G lens
• Hood (model): ALC-SH161
• Lens front cap: ALC-F67S
• Lens rear cap:
• ALC-R1EM Soft case

Review

To learn more about the Sony E 16-55mm F2.8 G lens we recommend watching this review from Arthur R.

5. Tamron 17-70mm f/2.8 Di III-A VC RXD

If the Sony E 16-55mm F2.8 G is a bit too expensive, a more affordable alternative is the Tamron 17-70mm f/2.8 Di III-A VC RXD lens.

With a useful focal length range of 17-70mm and a fast maximum aperture of F2.8, this lens is excellent for low light shooting. Whether you enjoy landscape photography, architecture, interiors, street photography, or portraits, this lens can handle it all.

The 17-70mm lens includes Tamron’s proprietary Vibration Compensation (VC) built into the lens body, a very helpful feature for a camera like the A6400 that does not feature stabilization (IBIS) built in.

With a minimum focusing distance of just 0.19m (7.5 inches) at the wide-angle end and 0.39m (15.4 inches) at the telephoto end, this lens allows you to get closer to your subjects than ever before.

It is well-built, weather-sealed, and delivers excellent sharpness across the frame. The autofocus motors are fast, quiet, and accurate, ensuring you capture your shots with precision.

Key Specs

Model Name:	B070S
Format:	APS-C
Focal Length (mm):	17-70
Angle of View (APS-C):	79° 55′ -23° 00′
Maximum Aperture:	F2.8
Minimum Aperture:	F22
Lens Groups / Elements:	12/16
Aperture Blades:	9 circular
Minimum Focusing Distance:	0.19m (WIDE), 0.39m (TELE)
Maximum Magnification Ratio:	1:4.8 (WIDE), 1:5.2 (TELE)
Lens Image Stabilization:	Yes
Focus Breathing Support:	No
Filter Diameter:	67 mm
Diameter:	2.94 in. / 74.6 mm
Length:	4.70 in. / 119.3 mm
Weight:	18.52 oz. / 525 g

Pros

• Very useful zoom range
• Maximum F2.8 aperture
• Good build quality and weather sealing
• Fast, quiet, and accurate autofocus
• Good image stabilization built-in(VC)
• Exceptional optical performance
• Very good flare resistance
• Excellent price

Cons

• Onion bokeh balls
• No switches or buttons on the lens

What’s in the Box

• Tamron 17-70mm f/2.8 Di III-A VC RXD Lens for Sony E
• Tamron SP Front Lens Cap (67mm)
• Rear Lens Cap
• HA036 Lens Hood
• Limited 6-Year Manufacturer Warranty

Review

To learn more about the Tamron 17-70mm f/2.8 Di III-A VC RXD lens we recommend watching this review from Jason Vong.

6. Sony E 18-135mm F3.5-5.6 OSS

The Sony E 18-135mm F3.5-5.6 OSS is an APS-C lens that excels in versatility. It’s small, lightweight, and one of my personal favorite travel lenses for when I want to travel as light as possible.

This lens covers a wide focal range from 18mm to 135mm, with a variable aperture from f/3.5 to f/5.6, making it suitable for a variety of shooting scenarios.

Central sharpness at 18mm is very good and improves further from f/5.6 to f/11. At 35mm, sharpness is excellent from f/3.5 to f/11, then starts to drop off at f/16. At 70mm and 135mm, central sharpness is excellent from f/5.6 to f/11 but decreases at f/16. While the edges can be a bit soft at longer focal lengths, the center always remains sharp.

There is noticeable vignetting at 18mm if you shoot in raw or with in-camera corrections turned off, and this doesn’t improve even when you stop down. To keep this lens compact, Sony relies more heavily on in-camera corrections.

Chromatic aberration (CA) is well controlled centrally at 18mm, though the edges do show some fringing. This improves up to 70mm, but worsens at 135mm. Fortunately, in-camera corrections address this issue, so if you shoot in JPEG, you don’t need to worry. Flare control is excellent, and the bokeh is very smooth.

The Sony E 18-135mm F3.5-5.6 OSS lens also features an inbuilt Optical Steady Shot (OSS) system, which helps stabilize camera shake on cameras that do not have in-body image stabilization (IBIS).

The autofocus motor is both fast and silent, and the lens feels well-built. However, it is not weather-sealed, so you need to be cautious when using it in adverse weather conditions.

Key Specs

Model Name:	SEL18135
Format:	APS-C
Focal Length (mm):	18-135
Angle of View (APS-C):	76°-12°
Maximum Aperture:	F3.5-5.6
Minimum Aperture:	F22-36
Lens Groups / Elements:	12/16
Aperture Blades:	7 circular
Minimum Focusing Distance:	1.48 ft (0.45 m)
Maximum Magnification Ratio:	0.29x
Lens Image Stabilization:	Yes
Focus Breathing Support:	No
Filter Diameter:	55 mm
Diameter:	2.75 in. / 69.85 mm
Length:	3.5 in. / 88.9 mm
Weight:	11.5 oz / 325 g

Pros

• Nice build quality
• Lightweight
• Quiet and accurate autofocus
• Very good image quality
• Optical steadyshot built-in stabilization
• Price

Cons

• Relies on correction profiles to correct vignetting

What’s in the Box

• Sony E 18-135mm F3.5-5.6 OSS Lens
• Hood (model): ALC-SH153
• Lens front cap: ALC-F55S
• Lens rear cap: ALC-R1EM

Review

To learn more about the Sony E 18-135mm F3.5-5.6 OSS lens we’d recommend watching this review from Dustin Abbott.

7. Sigma 30mm F1.4 DC DN Contemporary

This is the second lens included in this guide that forms part of the renowned trio of Sigma APS-C lenses.

The Sigma 30mm F1.4 DC DN Contemporary lens is exceptionally well-built, which is consistent with all of Sigma’s lenses for Sony E-mount. It is also one of the sharpest lenses available in their APS-C lineup.

There is some vignetting when shooting wide open, with around 1 1/3 stops of light lost in the extreme corners. However, stopping down to f/1.8 shows a significant improvement.

Lateral chromatic aberration (CA) is present but can be easily removed in post-processing or corrected in-camera with JPEGs. Barrel distortion is also present but can be corrected either in-camera or during post-processing.

When shooting wide open at f/1.4, the central sharpness of this lens is impressive, and the creamy smooth bokeh is equally remarkable.

Model Name:	C016
Format:	APS-C
Focal Length (mm):	30mm
Angle of View (APS-C):	50.7°
Maximum Aperture:	F1.4
Minimum Aperture:	F16
Lens Groups / Elements:	7/9
Aperture Blades:	9 circular
Minimum Focusing Distance:	30 cm / 11.8 in.
Maximum Magnification Ratio:	1:7
Lens Image Stabilization:	No
Focus Breathing Support:	No
Filter Diameter:	52 mm
Diameter:	2.6in. / 64.8 mm
Length:	2.9in. / 73.3mm
Weight:	9.3 oz. / 265 g

Pros

• Outstanding sharpness
• Well controlled CA
• Good flare resistance
• Fast and accurate AF
• Attractive price

Cons

• Not weather resistant
• Some barrel distortion
• A little vignetting at f/1.4

What’s in the Box

• Lens hood: LH586-01
• Front cap: LCF-52mm III
• Rear cap: LCR II

Review

To learn more about the Sigma 30mm F1.4 DC DN Contemporary lens we would recommend watching this review from Stefan Malloch.

8. Sigma 56mm F1.4 DC DN Contemporary

The Sigma 56mm F1.4 DC DN Contemporary lens completes the trio of Sigma prime lenses for the Sony APS-C E-mount system.

Like the Sigma 16mm and 30mm lenses, the Sigma 56mm F1.4 delivers excellent sharpness across the entire image frame.

Focusing is both fast and quiet, flare is well controlled, and the build quality is very high.

There is a bit of chromatic aberration, mild vignetting, and distortion, but in-camera corrections help address these issues. If you shoot in RAW, you can also correct them in post-processing.

The bokeh is smooth, and with a full-frame equivalent focal length of 84mm when used on an APS-C body like the Sony A6400, this lens is an excellent choice for portrait photography.

Key Specs

Model Name:	C018
Format:	APS-C
Focal Length (mm):	56mm
Angle of View (APS-C):	28.5°
Maximum Aperture:	F1.4
Minimum Aperture:	F16
Lens Groups / Elements:	6/10
Aperture Blades:	9 circular
Minimum Focusing Distance:	50 cm / 19.7 in.
Maximum Magnification Ratio:	1:7.4
Lens Image Stabilization:	No
Focus Breathing Support:	No
Filter Diameter:	55 mm
Diameter:	2.6 in. / 66.5mm
Length:	2.3 in. / 59.5mm
Weight:	9.9 oz. / 280 g

Pros

• Well built and weather sealed
• Compact and lightweight
• Exceptional sharpness across the frame
• Very good color rendition
• Excellent flare resistance
• Fast, accurate and silent autofocus
• Attractively priced

Cons

• Some pincushion distortion

What’s in the Box

• Lens hood: LH582-01
• Front cap: LCF-55mm III
• Rear cap: LCR II

Review

To learn more about the Sigma 56mm F1.4 DC DN Contemporary lens we recommend watching this review from Arthur R.

9. Sigma 18-50mm F2.8 DC DN Contemporary

If you prefer not to carry the Sigma trio of prime lenses, the Sigma 18-50mm F2.8 DC DN Contemporary is an excellent alternative.

This lens offers a versatile focal range from 18-50mm and maintains a constant fast aperture of F2.8 throughout the zoom range.

Its compact, lightweight body is weather-sealed, protecting it from the elements, though it won’t withstand being submerged in water.

The autofocus is both fast and quiet, and the lens delivers sharp images across the entire focal range with pleasing bokeh. While chromatic aberrations are well controlled, some lens flare can occur in certain lighting conditions.

For its price and performance, this lens is hard to beat.

Model Name:	C021
Format:	APS-C
Focal Length (mm):	18-50
Angle of View (APS-C):	76.5°（W）-31.7°（T)
Maximum Aperture:	F2.8
Minimum Aperture:	F22
Lens Groups / Elements:	10/13
Aperture Blades:	7 circular
Minimum Focusing Distance:	12.1 (Wide) – 30 (Tele) cm / 4.8 in. (Wide) – 11.9 in. (Tele)
Maximum Magnification Ratio:	1:2.8（Wide) – 1:5（Tele）
Lens Image Stabilization:	No
Focus Breathing Support:	No
Filter Diameter:	55 mm
Diameter:	2.4 in. / 61.6mm
Length:	3.0 in. / 76.5mm
Weight:	10.2 oz. / 290 g

Pros

• Compact and light weight
• Fast and silent autofocus
• Reasonably priced
• Well made and weather sealed
• Constant F2.8 aperture
• Very little focus breathing
• Low chromatic aberrations
• Good sharpness across zoom range
• Pleasing bokeh
• Good coma performance

Cons

• No optical image stabilization
• Strong barrel distortion at 18mm
• Some flare in certain lighting situations

What’s in the Box

• Lens hood: LH582-02
• Front cap: LCF-55mm III
• Rear cap: LCR II

Review

To learn more about the Sigma 18-50mm F2.8 DC DN Contemporary lens we recommend watching this review from Arthur R.

10. Sony FE 70-200mm F4 Macro G OSS Ⅱ

The Sony FE 70-200mm F4 Macro G OSS II lens is the second generation of one of Sony’s earliest E-mount lenses, first released in 2014.

Sony claims that the autofocus has been improved by 20%. Additionally, the new version is 15% lighter and 15% shorter than the Mark I. It now also supports 1.4x and 2x teleconverters, which were not compatible with the Mark I lens.

The lens features two independently moving focus groups, each powered by two XD ‘High thrust’ linear motors, allowing it to focus as close as 26 cm (10.2 inches).

The lens offers a maximum magnification of 0.5x, justifying its “Macro” designation. While it is not a true 1:1 macro lens, attaching the 2x teleconverter provides 1x magnification.

The lens consists of 19 elements in 13 groups, including one advanced aspherical element, three extra-low dispersion elements to reduce chromatic aberration, one ED aspherical element, and one conventional aspherical lens.

The lens body features independent control rings for focus and zoom. It includes a full-time DMF on/off switch, a focus-range limiter, and three optical image stabilization modes (Mode 1, Mode 2, and Mode 3). Additionally, there is an AF/MF switch and a zoom lock.

Optically, the lens delivers exceptional sharpness and contrast throughout the zoom range, with minimal distortion and vignetting, and stunning bokeh.

I’m fortunate to own both the Mark I and Mark II versions and the Mark II is definitely a big improvement over the Mark I.

Key Specs

Model Name:	SEL70200G2
Format:	35 mm full frame
Focal Length (mm):	70-200 mm
Angle of View (35 mm):	34°-12° 30′
Maximum Aperture:	F4
Minimum Aperture:	F22
Lens Groups / Elements:	13-19
Aperture Blades:	9 circular
Minimum Focusing Distance:	0.26-0.42 m(0.86-1.38 ft)
Maximum Magnification Ratio:	0.5x
Lens Image Stabilization:	Yes
Filter Diameter:	72 mm
Diameter:	3-1/4″ / 82.2 mm
Length:	5-7/8″ / 149 mm
Weight:	28.1 oz. / 794 g

Pros

• Small and compact
• Good build quality and weather sealing
• Very fast and quiet autofocus motors
• Compatible with Sony’s 1.4x and 2x teleconverters
• Exceptional resolution and contrast throughout the zoom range
• Lovely bokeh
• Low distortion and vignette
• Flare resistance
• Minimal focus breathing
• Removable tripod collar

Cons

• Pincushion distortion throughout the zoom range
• Tripod foot not Arca-compatible (like all of Sony’s lenses)
• External zoom but this does make it more travel and backpack friendly

What’s in the Box

• Sony FE 70-200mm F4 Macro G OSS Ⅱ lens
• Lens hood: ALC-SH176
• Lens front cap: ALC-F72S
• Lens rear cap: ALC-R1EM

Review

If you would like to learn more about the Sony FE 70-200mm F4 Macro G OSS Ⅱ lens then we highly recommend this excellent review from Dustin Abbott.

11. Sony E 70-350mm F4.5-6.3 G OSS

The Sony E 70-350mm F4.5-6.3 G OSS lens is very well built and surprisingly compact for the 70-350mm zoom range it offers.

When used on the Sony A6400, this lens provides a full-frame equivalent of 525mm at its maximum zoom.

The lens is weather-sealed and features Sony’s OSS (Optical SteadyShot) built-in stabilization.

The autofocus is driven by Sony’s original XD (Extreme Dynamic) linear motor technology, providing top-class autofocus performance that is fast, quiet, and precise.

On the lens body, you’ll find two rings for controlling zoom and focus, a lock switch to prevent the zoom from extending, an AF/MF switch, and an OSS on/off switch. Additionally, there is a customizable focus hold button.

Image quality is excellent, with well-handled chromatic aberrations.

This lens is a great choice for shooting landscapes, wildlife, sports, or any other form of action, especially when paired with the Sony A6400.

Key Specs

Model Name:	SEL70350G
Format:	APS-C
Focal Length (mm):	70-350
Angle of View (APS-C):	22°-4°40′
Maximum Aperture:	F4.5-6.3
Minimum Aperture:	F22-32
Lens Groups / Elements:	13/19
Aperture Blades:	7 circular
Minimum Focusing Distance:	3.61–4.93 ft (1.1–1.5 m)
Maximum Magnification Ratio:	0.23x
Lens Image Stabilization:	No
Focus Breathing Support:	No
Filter Diameter:	67 mm
Diameter:	3-1/8 in. / 77 mm
Length:	5-5/8″ in. / 142 mm
Weight:	22.1 oz / 625 g

Pros

• Very well built and weather sealed
• OSS (optical steadyshot) built-in
• Extremely fast and quiet autofocus
• Excellent sharpness and contrast
• Lovely bokeh
• Good control of chromatic aberrations
• Low vignette

Cons

• Quite expensive
• Prone to flaring
• A little pincushion distortion
• No focus limiter switch

What’s in the Box

• Sony E 70-350mm F4.5-6.3 G OSS lens
• Hood (model): ALC-SH160
• Lens front cap: ALC-F67S
• Lens rear cap: ALC-R1EM

Review

To learn more about the Sony E 70-350mm F4.5-6.3 G OSS lens we recommend watching this review from Arthur R.

12. Sony FE 200-600mm F5.6-6.3 G OSS

The Sony FE 200-600mm F5.6-6.3 G OSS lens is an exceptional choice for wildlife and sports photographers seeking a powerful telephoto lens.

This full-frame lens offers a versatile focal range of 200-600mm, equivalent to a 300-900mm field of view on an APS-C camera like the Sony A6400, providing substantial reach.

For even greater reach, this lens is compatible with both the 1.4x and 2.0x teleconverters.

Constructed with 24 elements in 17 groups, the lens measures 318mm in length and weighs 74.7 oz (2,115 g) without the tripod mount. It is weather-sealed and features 3-mode image stabilization.

With its impressive reach and excellent image quality, the Sony FE 200-600mm F5.6-6.3 G OSS lens is an invaluable tool for capturing wildlife and sports photos.

The Sony FE 200-600mm F5.6-6.3 G OSS lens features an internal zoom mechanism, which enhances balance and handling compared to external zoom lenses like the Sony FE 100-400. Its short zoom throw allows for effortless and fast transitions between the 200mm and 600mm focal lengths.

The lens body is equipped with essential controls, including a focus ring and a zoom ring. Additional convenient features include a focus limiter switch, an AF/MF switch, a SteadyShot on/off switch, a mode 1/2/3 optical stabilization switch, and a customizable focus hold button.

The tripod foot is removable and therefore can be replaced with something more practical like the Kirk LP-68 (B&H Photo) that includes an arca-swiss plate.

At 600mm this lens is sharper than the Sony FE 100-400 + 1.4x teleconverter is at 560mm. At 400mm this lens is also a touch sharper than the 100-400 which considering it’s a G lens and not a GM lens is really quite outstanding.

If you’d like to find out how this lens stacks up against the Sony FE 100-400 GM lens then head over to our 200-600 vs 100-400 comparison.

Key Specs

Model Name:	SEL200600G
Format:	35 mm full frame
Focal Length (mm):	200-600 mm
Angle of View (35 mm):	12°30’–4°10′
Maximum Aperture:	F5.6–6.3
Minimum Aperture:	F32–36
Lens Groups / Elements:	17/24
Aperture Blades:	11 circular
Minimum Focusing Distance:	7.88 ft (2.4 m)
Maximum Magnification Ratio:	0.2x
Lens Image Stabilization:	Yes (3 modes)
Focus Breathing Support:	No
Filter Diameter:	95 mm
Diameter:	4.5″ / 114.3 mm
Length:	12.625″ / 320.67 mm
Weight:	74.7 oz (2,115 g)

Pros

• Fantastic build quality and weather sealing
• Excellent handling thanks to the internal zoom design
• Very fast and accurate autofocus
• Excellent image quality
• 1.4x and 2x teleconverter support

Cons

• Large and relatively heavy
• Small tripod foot that is not arca-swiss compatible
• Some chromatic aberration when shooting wide open

What’s in the Box

• Sony FE 200-600mm F5.6-6.3 G OSS lens
• Hood (model): ALC-SH157
• Lens front cap: ALC-F95S
• Lens rear cap: ALC-R1EM
• Tripod collar
• Soft case
• Lens strap

Review

If you would like to learn more about the Sony FE 200-600mm F5.6-6.3 G OSS lens lens then this excellent review by Olle Nilsson is worth taking the time to watch.

You might also enjoy our own video of this lens where we compare the 200-600 to the Sony 100-400 with the 1.4x teleconverter for birds in flight photography.

Complete List of Sony E-mount Lenses & Latest Firmware

Please visit our Sony E-Mount Lenses List for a complete list of Sony E-mount lenses compatible with the Sony A6400 including third-party lenses and the latest firmware versions.

Sony A6400 Guides & Resources