Motorcycles Brands Hatch Practice Day

Paul stuart

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duel (1 of 1).jpg
  • ILCE-1
  • FE 70-200mm F2.8 GM OSS II
  • 70.0 mm
  • ƒ/4
  • 1/400 sec
  • ISO 160
Peter Hickman  (1 of 1).jpg
  • ILCE-1
  • FE 70-200mm F2.8 GM OSS II
  • 127.0 mm
  • ƒ/4
  • 1/250 sec
  • ISO 100
Rider (1 of 1).jpg
  • ILCE-1
  • FE 70-200mm F2.8 GM OSS II
  • 143.0 mm
  • ƒ/2.8
  • 1/1600 sec
  • ISO 800
Stone a crowe (1 of 1).jpg
  • ILCE-1
  • FE 70-200mm F2.8 GM OSS II
  • 200.0 mm
  • ƒ/2.8
  • 1/1600 sec
  • ISO 500
untitled (2 of 27).jpg
  • ILCE-1
  • FE 70-200mm F2.8 GM OSS II
  • 93.0 mm
  • ƒ/2.8
  • 1/250 sec
  • ISO 100
untitled (17 of 27).jpg
  • ILCE-7RM5
  • 500mm F5.6 DG DN OS | Sports 024
  • 500.0 mm
  • ƒ/5.6
  • 1/1000 sec
  • ISO 100
untitled (21 of 27).jpg
  • ILCE-7RM5
  • 500mm F5.6 DG DN OS | Sports 024
  • 500.0 mm
  • ƒ/8
  • 1/2500 sec
  • ISO 250
untitled (23 of 27).jpg
  • ILCE-7RM5
  • 500mm F5.6 DG DN OS | Sports 024
  • 500.0 mm
  • ƒ/8
  • 1/2500 sec
  • ISO 640
untitled (25 of 27).jpg
  • ILCE-7RM5
  • 500mm F5.6 DG DN OS | Sports 024
  • 500.0 mm
  • ƒ/8
  • 1/2500 sec
  • ISO 250
 
Last edited:
A nice variety of shots.
Have you thought about shooting with slow shutter speeds to increase the motion blur? I think this would have benefitted 1 and 2. I have photographed power boats at 1/40sec with a 500mm focal length and the subject is perfectly sharp thanks to image stabilisation, so you do not need to use short exposures.
 
Cracking shots Paul! It's hard to pick a favourite from these, so I won't!
 
Have you thought about shooting with slow shutter speeds to increase the motion blur? I think this would have benefitted 1 and 2. I have photographed power boats at 1/40sec with a 500mm focal length and the subject is perfectly sharp thanks to image stabilisation, so you do not need to use short exposures.
i have thousands of slow pans but when the subject is head on or 3/4 in frame no reason i can also add motion blur in post , i have done enough planes bikes etc looking for motion blur full prop blur at a 1/50th to understand that when and when not to use it ,you will only get a slow pan at 1/50th sharp when the subject is 90 deg in front of you , i also i do not want to spend the whole day taking dissapointing shots that i will have to bin , also i forgot my n/d filters and on this bright day a 1/50th would of been challenging,oh and a side car where a wheel is not visible is not going to show blur ,just for you one of the slower s/s on the day
slow pan.jpg
  • ILCE-1
  • FE 70-200mm F2.8 GM OSS II
  • 200.0 mm
  • ƒ/2.8
  • 1/125 sec
  • ISO 100
 
Last edited:

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