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The barriers to entry into bird photography have dropped sharply.
Frans Lanting of National Geographic talks about a shot he wanted to take of an Albatross coming in to land seen head-on. This was in the days of film and manual focus.
It took him a week to get it.
Nowadays AF, AE and AWB are good enough to let run to get a shot - mostly.
Freed from technical constraints people are now taking thousands of shots. And freed from publishing constraints, they're sharing them all too. I get the enthusiasm. I've been there too.
But I find most of them instantly forgettable because the authors aren't seeking to make shots that have impact.
And the old trope about what makes a good photo applies here too: light, composition and moment.
I recently despite myself entered a bird photo competition having been encouraged by a friend. I knew that the judges would be deluged with birds on a stick, so had to review my shots asking the question: what here is technically competent but is also engaging? What is capturing a moment? What is memorable?
Frans Lanting of National Geographic talks about a shot he wanted to take of an Albatross coming in to land seen head-on. This was in the days of film and manual focus.
It took him a week to get it.
Nowadays AF, AE and AWB are good enough to let run to get a shot - mostly.
Freed from technical constraints people are now taking thousands of shots. And freed from publishing constraints, they're sharing them all too. I get the enthusiasm. I've been there too.
But I find most of them instantly forgettable because the authors aren't seeking to make shots that have impact.
And the old trope about what makes a good photo applies here too: light, composition and moment.
I recently despite myself entered a bird photo competition having been encouraged by a friend. I knew that the judges would be deluged with birds on a stick, so had to review my shots asking the question: what here is technically competent but is also engaging? What is capturing a moment? What is memorable?