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Almost same page! I'd say my work is about 60% video - 40% stills, so I grew tired of waiting for Nikon to step up their filming game. Part of it is video quality itself, but other major item is autofocus. Sony's is unbeatable, period. Nikon's financial status was also a concern of mine, as well. And because of it, when evaluating different ecosystems, one of the major considerations was making sure I could stay within the platform for long. That involves both company's finances as well as technical stuff, such as the E mount; considering my photo-video perspective, once I decide to jump onto, say, an FX# in the future, I can still use the same lenses.


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