Welcome to Our Sony Alpha Shooters Forum

Be apart of something great, join today!

Photography Challenge - The Golden Hour

Tim Mayo

Admin
Pro Member
Pro Member
Followers
208
Following
43
Joined
Mar 1, 2020
Posts
2,762
Likes Received
2,305
Trophy Points
313
Name
Tim
Country
United Kingdom
City/State
Shropshire
CC Welcome
  1. Yes
A big thanks to everyone who joined in with the selective color photography challenge last month.

So for this month I thought we could try a golden hour challenge.

If you would like some tips on golden hour photography then this article will point you in the right direction:
https://digital-photography-school.com/how-photograph-golden-hour/

And you can also find some inspiration over on Flickr:
https://www.flickr.com/photos/tags/goldenhour/

This is not a competition so there will be no winners announced, it's purely for fun and self-development.

Simple Rules:
  • Sony cameras only please
  • No sky replacements, keep it real
  • Please don't post more than 3 separate posts, multiple images may be included in a single post
Have fun!
 
The term Golden Hour evokes an almost emotional response from me as I remember living in California for 5 years. Sadly I wasn't equipped with a camera back then, but when I got my a6000 a few years ago, I did take one trip. Here are a few from Santa Monica at Golden Hour:
DSC01159_5x7.jpg
  • ILCE-6000
  • FE 24-105mm F4 G OSS
  • 46.0 mm
  • ƒ/4
  • 1/1000 sec
  • ISO 1600

DSC01177_5x7.jpg
  • ILCE-6000
  • FE 24-105mm F4 G OSS
  • 46.0 mm
  • ƒ/11
  • 1/60 sec
  • ISO 160

DSC01196_5x7.jpg
  • ILCE-6000
  • FE 24-105mm F4 G OSS
  • 105.0 mm
  • ƒ/9
  • 1/30 sec
  • ISO 1000


EDIT: There was also this one I took of my wife, but as it turns out, after using the camera for only 2 months at the time I didn't yet grasp the concept of blown-out highlights 😅

DSC01179_5x7.jpg
  • ILCE-6000
  • FE 24-105mm F4 G OSS
  • 32.0 mm
  • ƒ/4
  • 1/60 sec
  • ISO 160
 
Last edited:
Namorados-7M3_38778-Archive_m.jpg
  • ILCE-7M3
  • Sony FE 135mm F1.8 GM (SEL135F18GM)
  • 135.0 mm
  • ƒ/1.8
  • 1/8000 sec
  • ISO 100
Pescadora-A1_01688-Archive_m.jpg
  • ILCE-1
  • Sony FE 135mm F1.8 GM (SEL135F18GM)
  • 135.0 mm
  • ƒ/1.8
  • 1/12800 sec
  • ISO 100
210623 A1_4924 L.jpg
  • ILCE-1
  • Sony FE 200–600mm F5.6–6.3 G OSS (SEL200600G)
  • 441.0 mm
  • ƒ/7.1
  • 1/5000 sec
  • ISO 100
 
Last edited:
The term Golden Hour evokes an almost emotional response from me as I remember living in California for 5 years. Sadly I wasn't equipped with a camera back then, but when I got my a6000 a few years ago, I did take one trip. Here are a few from Santa Monica at Golden Hour:
View attachment 12525
View attachment 12526
View attachment 12527

EDIT: There was also this one I took of my wife, but as it turns out, after using the camera for only 2 months at the time I didn't yet grasp the concept of blown-out highlights 😅

View attachment 12531
"
I didn't yet grasp the concept of blown-out highlights 😅" I got a real chuckle out of this, because I am finding a boatload of things that I have yet to grasp the concepts for. I'm into photography about about 10 months and I continue to be shocked at what I don't know.
 
"
I didn't yet grasp the concept of blown-out highlights 😅" I got a real chuckle out of this, because I am finding a boatload of things that I have yet to grasp the concepts for. I'm into photography about about 10 months and I continue to be shocked at what I don't know.
Actually, on second thought, it was still a good photo as I exposed correctly for the most important part: my subject. Yes the sky is blown out, but in the long term, if I look back on that day and that picture, capturing her correctly was more important than the sunset behind her.
I am still struggling with this dilemma when I photograph someone in mixed lighting (or bright backlit) conditions. Still learning!
 
21-10-19 18h49m06s 0082 L.jpg
  • ILCE-1
  • Sony FE 200–600mm F5.6–6.3 G OSS (SEL200600G)
  • 600.0 mm
  • ƒ/6.3
  • 1/800 sec
  • ISO 100
 
I am quite surprised with how much detail you could recover in the "shadows" when facing right into the sun. Very nice!
You would be even more amazed if I did tried to pull shadows (Wich I didn’t because I wanted to keep the contour effect), sadly I already deleted the RAW so I could not demo the potential of that M4 sensor.
It still drops my jaw when am am about to finish editing and do the final export I frequently do the before/after sliding curtain. M4 tops A1 in this regard.

EDIT: I rescued one of the RAWs to illustrate
22-01-20 17h36m11s #0017 M.jpg
  • ILCE-7M4
  • Sony FE 135mm F1.8 GM (SEL135F18GM)
  • 135.0 mm
  • ƒ/1.8
  • 1/1600 sec
  • ISO 100

22-01-20 17h36m11s #0017 M 1.jpg
  • ILCE-7M4
  • Sony FE 135mm F1.8 GM (SEL135F18GM)
  • 135.0 mm
  • ƒ/1.8
  • 1/1600 sec
  • ISO 100
 
Last edited:
22-06-13 20h45m36s #0045 L.jpg
  • ILCE-1
  • Sony FE 200–600mm F5.6–6.3 G OSS (SEL200600G)
  • 600.0 mm
  • ƒ/6.3
  • 1/8000 sec
  • ISO 100
22-06-13 20h45m36s #0045blue L.jpg
  • ILCE-1
  • Sony FE 200–600mm F5.6–6.3 G OSS (SEL200600G)
  • 600.0 mm
  • ƒ/6.3
  • 1/8000 sec
  • ISO 100
22-06-13 20h45m36s #0045red L.jpg
  • ILCE-1
  • Sony FE 200–600mm F5.6–6.3 G OSS (SEL200600G)
  • 600.0 mm
  • ƒ/6.3
  • 1/8000 sec
  • ISO 100
 
Last edited:
I came across this thread yesterday and captured these shots this morning, shortly after sunrise.
A1_05991.jpg
  • ILCE-1
  • Sony FE 200–600mm F5.6–6.3 G OSS (SEL200600G)
  • 600.0 mm
  • ƒ/6.3
  • 1/500 sec
  • ISO 400

A1_05999.jpg
  • ILCE-1
  • Sony FE 200–600mm F5.6–6.3 G OSS (SEL200600G)
  • 600.0 mm
  • ƒ/6.3
  • 1/500 sec
  • ISO 250

A1_06009.jpg
  • ILCE-1
  • Sony FE 200–600mm F5.6–6.3 G OSS (SEL200600G)
  • 200.0 mm
  • ƒ/11
  • 1/2000 sec
  • ISO 2500

A1_06084.jpg
  • ILCE-1
  • Sony FE 200–600mm F5.6–6.3 G OSS (SEL200600G)
  • 600.0 mm
  • ƒ/9
  • 1/500 sec
  • ISO 100
 

Attachments

  • A1_05999.jpg
    A1_05999.jpg
    438.4 KB · Views: 81
Sunset after the rain in Cannaregio, Venice.

A7C01792 (1).jpg
  • ILCE-7C
  • FE 20-70mm F4 G
  • 20.0 mm
  • ƒ/5.6
  • 1/80 sec
  • ISO 250
 
Last edited:

New in Marketplace

Back
Top