Photography Challenge - Nighttime & Low Light

Sunset yields to Moonrise over Santa Monica beach in California. Taken with a6400 and 18-135mm kit lens.
Does this count as "low-light" photography? :cool:
 

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Obligatory attempt at Neowise comet earlier this year.
a6400 18-135mm kit lens @ 28mm, f4.5, 15 second exposure with ISO 2000... and countless bug bites (Florida summer!)
 

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Last one! Temple Kiyomizudera in Japan last year (almost exactly one year to the day!).
a6400, 18-135mm kit lens, do not remember the settings. Sadly, a "no tripod" rule (at this and many other Japanese parks) meant I could not do a long exposure.
 

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Wool spinning at Church Ruins. Was so much fun and my first time
I've seen this technique but never tried it, how long of an exposure did you need?
 
Some of my fav low light pics

Sony A6000, Meike 35mm 1.7 Manual Focus
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Sony A6000, Meike 35mm 1.7 Manual Focus
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Sony A6000, Meike 35mm 1.7 Manual Focus
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  • ILCE-6000
  • ----
  • 1/200 sec
  • ISO 3200


Sony A6000, Meike 35mm 1.7 Manual Focus
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Sony A7III, Sony 20mm 1.8 G
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I love doing low light photography, and since I live in arizona I have a lot of dark sky opportunities. :)
 

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early Christmas present for pops!!

my kids chipped in and bought a Tamron 70-180 which I received yesterday.

Had a little time to practice with it while my wife shopped. I really like the lens. Here is the moon (obv) and I moved it a little bit to complete the composite over the freeway.

Freeway: F9, ISO 50, 25" 70 mm
Moon: F9, ISO 50, 1/160 180mm
 

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This was taken at my brother's bachelor party this year. We went on a small fishing trip with very few people, and it made for a wonderful time! I had my camera gear with me, so was the designated "keep people from falling in sober person". I managed to snap this before the festivities got going and was really happy with how it turned out!
 

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I am new to the site so the first time I have had an opportunity to see these photos. All very interesting to see, so clean and crisp.
 
A few from Patmos Greece this year a night visit
patmos 2022  (2).jpg
  • ILCE-9
  • Zeiss Vario-Tessar T* FE 24-70 mm F4 ZA OSS (SEL2470Z)
  • 49.0 mm
  • ƒ/4
  • 1/320 sec
  • ISO 12800
patmos 2022 .jpg
  • ILCE-9
  • Zeiss Vario-Tessar T* FE 24-70 mm F4 ZA OSS (SEL2470Z)
  • 24.0 mm
  • ƒ/4
  • 1/400 sec
  • ISO 6400
patmos 2022 1.jpg
  • ILCE-9
  • Zeiss Vario-Tessar T* FE 24-70 mm F4 ZA OSS (SEL2470Z)
  • 70.0 mm
  • ƒ/4
  • 1/320 sec
  • ISO 8000
patmos 2022 2.jpg
  • ILCE-9
  • Zeiss Vario-Tessar T* FE 24-70 mm F4 ZA OSS (SEL2470Z)
  • 70.0 mm
  • ƒ/4
  • 1/320 sec
  • ISO 6400
patmos 2022  4.jpg
  • ILCE-9
  • Zeiss Vario-Tessar T* FE 24-70 mm F4 ZA OSS (SEL2470Z)
  • 45.0 mm
  • ƒ/4
  • 1/320 sec
  • ISO 1600
patmos 2022  (3).jpg
  • ILCE-9
  • Zeiss Vario-Tessar T* FE 24-70 mm F4 ZA OSS (SEL2470Z)
  • 70.0 mm
  • ƒ/4
  • 1/400 sec
  • ISO 12800
patmos 2022  5.jpg
  • ILCE-9
  • Zeiss Vario-Tessar T* FE 24-70 mm F4 ZA OSS (SEL2470Z)
  • 70.0 mm
  • ƒ/4
  • 1/400 sec
  • ISO 12800
patmos 2022  6.jpg
  • ILCE-9
  • Zeiss Vario-Tessar T* FE 24-70 mm F4 ZA OSS (SEL2470Z)
  • 70.0 mm
  • ƒ/4
  • 1/400 sec
  • ISO 12800
and return via tender boat
 
Another shot from Mallorca - Cap de Formentor
Sadly the full moon was already up - that's why the right side of the image is so bright and yellow

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  • ILCE-7M4
  • FE 24mm F1.4 GM
  • 24.0 mm
  • ƒ/8
  • 30 sec
  • ISO 200
 
When I got my 24-70mm Zeiss F4, I took my first Golden Gate Night shot. It is really embarrassing to do this after living almost 30 years with in 45 minutes of the bridge.

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  • ILCE-7RM4
  • Zeiss Vario-Tessar T* FE 24-70 mm F4 ZA OSS (SEL2470Z)
  • 28.0 mm
  • ƒ/11
  • 30 sec
  • ISO 400
 
Midnight caller.

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  • ILCE-7C
  • FE 28-60mm F4-5.6
  • 44.0 mm
  • ƒ/5.6
  • 1/40 sec
  • ISO 3200
 
Bit of an unintentional restaurant theme going on here; but actually they're just random - the lights and colors attracted me, not the food!
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  • ILCE-9M2
  • FE 28mm F2
  • 28.0 mm
  • ƒ/8
  • 1/6 sec
  • ISO 200

two vehicles moving away from each other

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  • ILCE-9M2
  • Sony FE 85mm F1.8 (SEL85F18)
  • 85.0 mm
  • ƒ/2.8
  • 1/15 sec
  • ISO 100



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  • ILCE-7M4
  • Sony FE 100-400mm F4.5-5.6 GM OSS (SEL100400GM)
  • 100.0 mm
  • ƒ/4.5
  • 1/20 sec
  • ISO 2500
 
Last edited:
I love using cameras at night btw, so expect q. a few more (it is also one area where the a9 is better than the a7iv)

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  • ILCE-9M2
  • FE 28mm F2
  • 28.0 mm
  • ƒ/4
  • 1/100 sec
  • ISO 640
 

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A7406391.jpg
  • ILCE-7M4
  • Zeiss Sonnar T* FE 55 mm F1.8 ZA (SEL55F18Z)
  • 55.0 mm
  • ƒ/2
  • 1/125 sec
  • ISO 25600

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  • ILCE-9M2
  • Sony FE 85mm F1.8 (SEL85F18)
  • 85.0 mm
  • ƒ/1.8
  • 1/60 sec
  • ISO 640

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  • ILCE-9M2
  • FE 85mm F1.8
  • 85.0 mm
  • ƒ/2.4
  • 1/60 sec
  • ISO 2500

3 jpegs if I recall correctly
 
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  • ILCE-9M2
  • Sony FE 28-70mm F3.5-5.6 OSS (SEL2870)
  • 28.0 mm
  • ƒ/3.5
  • 1/100 sec
  • ISO 10000

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  • ILCE-9M2
  • 55.0 mm
  • ƒ/1.8
  • 1/45 sec
  • ISO 400


The granny sits there every night waiting for a chat, lol, she commutes into Taipei daily to sell her tiny flowers to office workers to have fresher smelling desks. The dog is owned by a nearby shop-owner who for some reason lets it wander about - it always has that kind of half interested/half worried look.
Oh, and the cat actually has two eyes, but for some reason closed one at that moment - I have fed it a few times, so can vouch for it having deux yeux. I wonder why it winked? Maybe it was a sign...
 
A couple from recent trip and from a lens I would not normally use fe 100-400 handheld Livorno Italy
livorno 2023 1.jpg
  • ILCE-9
  • Sony FE 100-400mm F4.5-5.6 GM OSS (SEL100400GM)
  • 221.0 mm
  • ƒ/5.6
  • 1/200 sec
  • ISO 12800
livorno 2023.jpg
  • ILCE-9
  • Sony FE 100-400mm F4.5-5.6 GM OSS (SEL100400GM)
  • 100.0 mm
  • ƒ/5.6
  • 1/200 sec
  • ISO 12800
 
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